ANALOGUE

Analogue has always been a speciality at Lotus but is a part of this hobby that is even more specialist and even less well understood than other parts so a deeper commitment to it is required on the part of the dealer as well as freedom from supply and market forces; a pledge to really look beyond popularist dogma and into the more clandestine corners of the industry.

Our range of decks runs from £7995 upwards. They are carefully hand picked and they might surprise you simply because they do not include many of the well known turntables commonly seen in the UK, but we have as much belief in them as our Amplifiers, Speakers and ancillaries. At the lower end of the price scale we tend to favour direct drive designs; providing the problem of motor and bearing nosie transmission has been successfully dealt with they bring a very compelling array of strengths to the table. It is not until the upper price bands when a belt drive system with a very sophisticated and expensive motor and pulley technology, can get close to the pitch stability of a good direct drive turntable.

BRINKMANN

Brinkmann is a very stable and dependable company from southern Germany and they have been making beautifully machined, five star product for many decades now. Their turntables are neutral, natural, delicate yet dynamic and the range is generous with something for everyone.

At the entry position you have the direct drive Bardo, typically shod with the 10.5 tonearm to make for a circa £10,000 package. The Bardo is an extraordinary product for the money. Dynamic, precise, musically nuanced with great forward drive it is a true high-end sound and comfortably deserves the moniker of “giant killer”. It shows the flagship deck from Scotland a clean pair of heels, even with Radikal, Keel Karousel and third party upgrades like Tranquility and Karmen.

The Taurus is Brinkmann’s newest turntable. A direct drive like the Bardo, it benefits from an upgraded chassis and brings about a more dynamic sound with even better low end performance. It can also accommodate up to 2 tonearms. Sonically it is a significant step on from the entry Bardo. All turntables can be upgraded by the vacuum tube RoNtIII power supply. This is a very worthy consideration some time during ownerhip if not at the time of purchase.

THRAX

The Yatrus is one of those products that was so convincing in all aspects of its execution that I was compelled to bring it to the UK and offer it up to customers. It is the sole direct drive turntable made by boutique high-end manufacturer Thrax over in Bulgaria. In fact so impressive were all of its aspects that it started a journey that eventually led me to bring the enture range of Thrax products into the Lotus portfolio and into the UK.

The Yatrus is very compact, handsome, a doddle to set up and use, and is also bundled with the same Schroder tonearm that we supply on our Helix decks. It makes for a fine alternative to the Brinkmann Taurus and delivers a sonic performance that seems so very close to the mega decks experienced in the £30,000+ territory. Superb value for money.

PRIMARY CONTROL

Primary Control is the newest addition to our suite of Analogue. Ingenuity, technology, superlative craftsmanship and value to you the customer through uncomplicated supply lines from a company who are set on making the finest bespoke products rather than high revenue and world domination.

Bernd Hemmen is the visionary behind Netherlands based Primary Control and primarily a designer of beautifully realised tonearms. On offer are 4 quasi-unipivot models ranging from £3850 to £26,850. At the low end the Arrow tonearm offers exceptional build and ability for it’s more modest price and at the flagship end, the FCL Tonearm with its unique field coil loaded frictionless bearing has been hailed by some of the world’s most prolific turntable collectors as the one of the world’s best.

The Kinea is Primary Control’s first turntable. It’s inherent technologies and superb build position it just above the Thrax and Brinkmann decks we sell. It is a large footprint direct drive design with extensive use of Panzeholz and adjustable torque for fine tuning of the sound. Whilst its pricing of under £17,000 saves you tens of thousands over many of today’s ‘uber’ decks, it can be furnished with any of the 4 tonearms to suit your final budget.

PHONO PREAMPS

The phonostage received a lot of attention and technological breakthrough around 10 years ago and rightly so; it is a component that deals with tiny tiny signals and simply has an enormous impact on the sound quality of a Vinyl chain.

Allnic Audio can claim to have created one of the first ever “super phonostages” the H3000, an ingenious LCR vacuum tube design which set a new bar for the industry and has been much copied since. Nowadays though the upper ceiling for the phono preamp can break £40,000.

Our Allnic range nowadays starts with the entry Allnic H5500 at £5000. This is one of our highest selling products and is almost on constant order with the factory. Allnic have 4 further stages after that right up to the newly released H10000 OTL/OCL dual chassis design. It is Kang Su Park’s attempt at the world’s best and many users believe it is just that. All the Allnics give a wonderfully dynamic yet relaxed sound, spacious and free flowing with great imaging and microdetails.

Thrax Audio also offer the LCR Orpheus. This sits above the H7000 in price and performance and is similar in functionality and specification. It is one of the first products created by Thrax and is now in Mk3 guise having been steadily improved over the last 10 years or so.

We also offer the Brinkmann Edison II. This is a superb phono with lots of functionality and Brinkmann’s extremely balanced and delicate sound. The Edison sports vacuum tubes but is perhaps less intrinsically tube-like that the Allnics.

The phonostages of Tidal are bundled into the preamplifiers but do not underestimate their might simply because they are part of a linestage. The Preos started life as a no holds barred phonostage with a volume control, the phono stage for the Precensio is a whole separate chassis and the phono input of the new Prisma would need a hell of a unit from another manufacturer to match it in ability. Any Tidal phono operates at the highest level. Neutral, linear and utterly transparent.

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